When I ask it, I am at a loss. The Taoist priests put their clothes on the fire, put them in their sleeves, and searched them again, and there was nothing left. The fairies that Gong Xian transformed into were all the prostitutes in King Lu's palace, and the music sung by the prostitutes was dazed and unaware in the blink of an eye. Even though Tianyi was captured by King Lu for a while, it was eventually burned by Taoist priests, and there is nothing left to search for. The art of Taoist priests is an entertainment program to celebrate the birthday of King Lu, full of luxurious atmosphere.
When wealth and ghost mannequin effect service pleasure come to an end, it will be disillusioned (psychedelic). Gong Xian's Taoism is not a tool to increase King Lu's wealth, nor can it last forever. The hallucinogenic nature of the art is actually related to the view of wealth in the Buddhist and Taoist thought of the Ming and Qing Dynasties. The illusoryness and unpredictability of wealth are fleeting and fleeting. "Dream of Red Mansions" sings the thoughts of empty wine and illusory wealth through the "good song" of the lame Taoist.
Shutterstock_258209231 Photo Credit: Shutterstock / Dazhi Images A modern image of Wang Sheng by Max. In the Frankfurt School since Weber, instrumental rationality has always been the cornerstone of their description of capitalism. Instrumental rationality represents the pursuit of practicality and effectiveness in society, and the wealth accumulation and consumption enjoyment arising from it are also phenomena that are inherited in the same vein.